‘tween the Lines: The Words and the Euphony in Average Lit
What could be a more direct pair than music and Literature? Both of them are major artistry kinds, and both have stayed in the knowingness of souls because of its universal appeal and function. euphony and Literature oft deal the duplicate factors, features, and techniques. For illustration, several factors and techniques utilised in poetry can be found in song Words. The joint characteristics oft suited the grounds why many find poetry and vocals (and, consequently, song Words) standardized. But beyond these factors, euphony is oft online to Literature because it can be found as internal parts of tales and exhibitions in Lit.
There are times when songs and their Words turned part of the gossipy of a book. This pertains to actual songs and actual Lyrics, not made-up vocals or Words created for the sake of the vocal. songs and Words revolutionize authors, or so they say, hence the integration of euphony in a story. It is sometimes practiced as a framing device, a means to move the story forward. Authors who do this are self-proclaimed euphony lovers—they contain the vocals and the Words they love into the story they are weaving. This strategy, if you can call it that, can ofttimes be found in Young Adult Lit (or books intentionally written for masses ages 13 to 18, although their market much reaches far beyond this age bracket).
Grassroots novels that contain music and Lyrics into the story include David Levithan and Rachel Cohn’s Nick and Norah’s Infinite Playlist and Naomi and Ely’s No-Kiss List. Both novels are separated as Young Adult Literature, although their appealingness is universal. In fact, Nick and Norah’s Living Playlist has been adjusted into a movie in 2008, while the film interpretation of Naomi and Ely’s No-Kiss List is plotted to be discharged in 2009. In Naomi and Ely’s, one of the storytellers gave one of the ceremonious characters a “mixtape” (or, a euphony CD that carries various songs the character picked himself). In one of the characters, this narrator enumerated the songs included in the CD, quoted some of the Words of the songs included in the song. These songs and their corresponding Lyrics fall into the greater scheme of the anecdotal. For illustration, the part cited The Ramones “I Wanna Be Your Boyfriend” song, with Words that are quite self-explanatory: “Hey, little girlI wanna be your boyfriend / Sweet little girl / I wanna be your boyfriend / Do you love me babe? / What do you say? / Do you love me babe? / What can I say? / Because I wanna be your boyfriend.” Cypher can be more apparent than that, but its usage makes the communicable brighter, since it does note state the fact directly.
Others are less direct. For instance, Haruki Murakami, a Common Japanese author, frequently alludes to vocals and Lyrics in his stories. While they do not have any large in the story at first glance, anyone who would bother to look them up—music and Words in tow—would realize how everything fits into the expressive. An representative of this can be found in his short story, “Family Affairs.”
These are merely examples on how vocals, music, and Words can be used in Literature, a glaring proof that the charm of music is gross.